Showing posts with label phoenix. Show all posts
Showing posts with label phoenix. Show all posts

Saturday, August 20, 2011

top ten

Inspired to see what my ten most played tracks were in iTunes, I peeped at what my actual listening habits reveal about my taste in music and found there's nothing to be ashamed about. As a disclaimer, I have a tendency of purging older, even nostalgic, tracks and albums over time but much of what's here has lasted the lifetime of this Mac Book (since 2008).

1 -- Baustelle "L." (Montepulciano, Italia) : Followed by "Charlie fa surf" and "Baudelaire" amongst several other Amen-era tracks in my most played. This was the first album I discovered by the band and it appears that I listened to it a lot that year I lived in Italy.

2 -- Deelay Ceelay "No Vex" (Portland, Oregon) : From their debut EP Thank You, which you can download for free here. Their first full-length, Sunset Drumsets, just dropped.

3 -- Sigur Rós "Gobbledigook" (Reykjavík, Iceland) : Með suð í eyrum við spilum endalaust also came out in 2008 while I was living in Italy and I suppose I was preparing for my first ever Sigur Rós performance that summer at Southside in Germany. Their set was followed by In Rainbows Radiohead. Epic.

4 -- Phoenix "Lisztomania" (Versailles, France) : Wolfgang Amadeus Phoenix brought Phoenix back into my consciousness, and everyone else's, with a much-needed resurgence in 2009.

5 -- Metric "Help, I'm Alive" (Toronto, Canada) : I remember stumbling across this early version of the song some six months before Fantasies would be released. Obviously, I couldn't stop listening to it.

6 -- Radiohead "15 Step" (Abingdon, England) : Although I can't remember what I paid (if anything) for In Rainbows, my mp3 of the opening track is well worn.

7 -- Cut Copy "Hearts on Fire" (Melbourne, Australia) : In Ghost Colours was another album from 2008, which was also the year I first saw the band perform.

8 -- Digitalism "Magnets" tied with "Idealistic" (Hamburg, Germany) : After keeping Idealism in heavy rotation, I was duly prepared to see Digitalism at that same Southside festival. And now they've finally got a new one out.

9 -- Mayer Hawthorne "Your Easy Lovin' Ain't Pleasin' Nothin" (Ann Arbor, Michigan) : Couldn't resist this white boy's falsettic soul.

10 -- Rodrigo y Gabriela "Viking Man" (México, D.F., Mexico) : Who also appeared at Southside; my first time seeing them. But not last.

And the immediate runner ups include:

Sallie Ford & The Sound Outside "Danger"
Sufjan Stevens' The BQE "Movement IV: Traffic Shock"
Yelle "Je Veux Te Voir [Club-Club Version]"

While Elbow's "Forget Myself," "Grounds For Divorce" and "We're Away" all tied with Foo Fighters' "See You" and Starfucker's "Laadeedaa," "Rawnald Gregory Erickson the Second" and "Holly" ...followed by more Baustelle (hey, Amen had 17 tracks!), Cut Copy, Digitalism, Rodrigo y Gabriela, Emily Haines & The Soft Skeleton (of Metric), one Hockey cut ("Song Away") and Jónsi… there's a pattern here.

What's in your top ten?

Wednesday, March 10, 2010

was elementary school this cool for you?


I remember listening to The Lion King soundtrack and then there was a stint with American Bandstand that featured "Rock Around The Clock" and "Hound Dog." A Beach Boy thrown in here and a Beatle there, we finally rounded out the Elton-education with "Crocodile Rock."

But no one was letting us sing "Lump" in school. Pearl Jam, Nirvana, The Smashing Pumpkins, no way. Besides we were more interested in the f-bombs of Tupac's gangsta rap and the dirty interludes on Doggystyle... but if someone would have just inspired us! We could have been singing choral renditions of "Nightswimming" or The Bends.

See more of the PS22 Choir including Lady Gaga, Empire of the Sun, the theme to The Jeffersons, and yeah, Styx.

Tuesday, January 26, 2010

phoenix precision at the crystal ballroom

On Sunday night, Phoenix were bigger than any Louis or archduchess. They were the rightful Kings of Versailles, sovereign rulers of the Crystal Ballroom.

A blissful evening full of bubbly, bouncing tunes kicked in immediately with the head-bobbing, shoulder-shimmying cracks of “Lisztomania.” Phoenix are one of those bands that sound just as clean and pristine live as they do in a recording studio. The crowd was instantaneously thunderous and robust singalongs were belted out with every other song as the claps climbed up to the chandeliered ceiling.

White strobes like flash bulbs blinded the audience as extra percussion boosted “Lasso” and “Girlfriend” with the drums kicking so potently, the songs ended like they were just beginning.

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