Showing posts with label sxsw. Show all posts
Showing posts with label sxsw. Show all posts

Tuesday, March 6, 2012

pdx at sxsw : the portland party + more

Besides the Oregon-oriented Ninkasi Northwest Local Outpost Presented by In Music We Trust, plenty of other Oregonians and PDXers will be headed (or are already on their way) to Austin for this year's SXSW. As OMN's Stephanie Salvey recently wrote:
Portland and Austin share many things in common, such a wicked, healthy and nurturing independent music scene. Parts of each town even resemble the other. South Austin feels like inner-eastside Portland as it is the Texas capitol’s bohemian part of town with all its taquerias, art shops, funky, yummy cafes, and fabulous dive bars—many of which blossom into make-shift concert venues each March.
This March 13th through 18th Oregonians, by birth and naturalization as well as those who have moved onto to sunnier cities, will take the dive bar, music biz party, and official showcase stages of Austin. Here are a few notables that have come through the OMN inboxes (and a zillion more that we're not intentionally omitting!).

PDX via New Zealand's Unknown Mortal Orchestra will bring some fuzzed-out delight to many stages including the Force Field PR and Terrorbird Media day party on March 14th (RSVP here)—playing before UMO will be PDX's AU (don't get them confused)—as well as headlining an official SXSW showcase that same night. You'll be sure to hear "Strangers Are Strange," which has a new vid that we're absolutely loving:

And March 14th is the big Portland... well, it's The Portland Party. Duh. RSVP here. At The Grackle on 6th Street (1700 E. 6th St., Austin, TX 78702).

As Portland brings our own showcase to Austin from 12pm to 2am on Wednesday, there will be two stages—the Portland Stage from 12pm-2am (indoors, 21+) and the Tixie Stage from 12pm-6pm (outdoors, all ages).

Plus free beer, free coffee, and free vodka. Mixed. Together. Just ask for a Bridgetown Nip.

Here's the important info—the free booze power hours—free Stumptown Coffee and Bloody Mary's with 360 Vodka from 12pm-1pm followed by free Deschutes beer and vodka specials from 6pm-7pm.

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Get the complete Portland Party lineup and more on PDX acts at SXSW on OMN.

Thursday, February 23, 2012

sxsw send off with archeology, the horde + the harem + andrew paul woodworth at jimmy mak’s

On Saturday, March 3rd, Oregon Music News and Octopus Entertainment will team up to send off two rising Northwest acts to SXSW. And in doing so, the indie rock invasion at Jimmy Mak's will kick off with Andrew Paul Woodworth—the LA via PDX via LO singer/songwriter who is also an OMN writer... and now broadcaster.

Let APW tell you about the March 3rd lineup with his first installment of Don't Go Camping (also available on the OMN podcast or iTunes):



As alluded to by Andrew, the Portland four-piece Archeology write "desert hymns" full of foot-stomping, hand-clapping, and chant-along melodies. Drum circle-inspired beats combine with playful, jangly touches and singalong lyrics. Including lead vocalist and bassist Daniel Walker, guitarist and vocalist Jason Davis, drummer Benjamin Haysom, and lead guitarist and vocalist Zach Dilday, listen to a few of Archeology's multi-layered, multi-part harmonies in our OMN/Octopus show sampler below, including a new track, "Piaute," from their latest EP Gamebird, which available at the gig followed by a post-SXSW digital release.


March 3rd will be Archeology's last home gig as they look south (aka Austin-ward), taking to the road with Seattle's The Horde and the Harem for a month-long trek to SXSW. THATH (not to be confused with the slightly more famous Seattleites THATH) will also be celebrating the release of their debut, full-length debut, A Long Midwinter, at Jimmy Mak's. The guitar/bass/keys/drums five-piece are known to include an exuberant horn (as heard in "Chasing Crows" above) as well as back-and-forth vocals shared by four singers—those not wielding sticks.

Warming up before the Jimmy Mak's release gig, The Horde and the Harem will take the record store stage at Music Millennium on the afternoon of March 3rd at 3pm.

And warming us all up will be none other than the Andrew Paul Woodworth. The LA via PDX va LO singer/songwriter is back in the greater Portland metro area... to stay?

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Read the rest and win tickets on OMN.

Thursday, March 25, 2010

home from sxsw : quasi + explode into colors at the doug fir

The showcases are over, the street corners are considerably less crowded, and the bands are on their way back home from SXSW. Using the time on the road before and after the jaunt to Austin, most bands make a few stops along the way. On Saturday, March 27th, our indie rock darlings return to Portland for their homecoming showcase… at least that was the plan.

Both trios, Quasi and Explode Into Colors, played official SXSW showcases on a tour that saw them hit 15+ cities planned around their time in Austin. With two decades of gusto behind them, NW indie-staple Quasi showed their “rebellious, anti-corporate, loud rock’n'roll, peppered with pop harmonies, shredding guitar solos, hum-able bass lines and long drum fills” (according to drummer Janet Weiss in an interview with Spinner before SXSW) to a crowd at the Gibson Guitar Showroom that was record by Seattle’s KEXP and is now streaming on NPR.

OMN spoke to the bombastic rhythm makers from EIC just after their gigs at SXSW and a trip into Monterrey, Mexico for the MtyMx Fest. But then Explode Into Colors blew a tranny somewhere in Oklahoma and got stuck in San Antonio…

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Read the rest on OMN along with tour notes from EIC.

Thursday, March 11, 2010

movits! interview : sxsw 2010

Swedish trio Movits! made their first trip to the US for an appearance on 'The Colbert Report' in 2009. Now they've completed their first US tour, traveling 8,000 miles and selling out several gigs thanks to their apple stealing jazz--a fusion of swing and hip-hop. Spinner recently spoke with saxophone player Joakim Nilsson via phone from Sweden about their next whirlwind adventure in the USA, five gigs in Austin, Texas at SXSW.

How did the band form?

Johan, the singer, and Anders, the producer/DJ, are brothers, and they started playing acoustic-based hip-hop with just guitar and vocals back in 2002. I met these guys around 2003 or 2004 and I started playing the saxophone with them. We formed Movits! in 2005 because our musical direction had changed. We found our style of music pretty much at an after party when we were dancing to "Sing, Sing, Sing" by Benny Goodman and we thought, "Why isn't anybody who's doing hip-hop, doing this kind of hip-hop?" That's when we thought, "Okay, we need a new name, this is something else than we were doing before."

Describe your sound in your own words.
It's hip-hop music mixed up with a lot of genres especially swing music. There's a little bit of gypsy Balkan music and jango. Mostly it's swing music-based hip-hop.

What are your musical influences?
Benny Goodman type of swing is a big influence. There's a Swedish rapper called Timbuktu. He's an influence because he's uses a lot of organic and real instruments in his music. Outkast, André. In Johan's way of writing his lyrics, old folk singers from Sweden, especially Cornelis Vreeswijk is a big influence.

How did you choose your band name?
The band name comes from Cornelis and even older folk music artists from Sweden like Michael Bellman. He sings about this Fader Movitz who is an old fiddle player and he's a character in a lot of these old folk music songs. It's actually spelled with a Z on the end but there's a lot of really tacky Swedish dansbands [dance bands] that write their names with Z's instead of S's so chose to use the S.

I know the name of the album (Äppelknyckarjazz) roughly translates to "Apple Stealing Jazz." Where did that title come from?
There were street kids back in the '30s or '40s in Sweden and they had these apple stealing pants. These were street kids stealing apples and having fun. Our music is kind of flirting with the '30s, '40s, '50 swing music.

You just finished your first US tour, how did that go?
It was way above our expectations. We didn't know what to hope. We knew that we were on The Colbert Report and there was some big buzz when we did that, but we didn't know how many people would still remember that. We sold out six places out of fifteen.

Can you share some stories from the road?
It was a long, long drive. It was 8,000 miles in an RV with seven guys. There were flat tires, power generators that broke down. We ran out of propane around Minneapolis where it was hella cold so we had to find after parties where we could actually sleep and not freeze to death. It was too cold to sleep in the RV.

Now you're playing a few gigs in Sweden before heading back to SXSW. What's in your festival survival kit?
A lot of water. Good shoes. We're playing pretty much every day we're at SXSW, so we'll just try to keep the momentum going.

You speak perfect English, but all your songs are in Swedish. Can you give me a flavor of what your songs are about?
A lot of the songs are about social matters, about being an outsider [like "Fel Del Av Garden"]. A lot of the lyrics focus on injustices and "Äppelknyckarjazz," the title track, is about "Why are you complaining about me stealing apples when there are big companies doing worse stuff?" But it's all written in a way that is not obvious, up in your face trying to condemn stuff but written in a way so you can listen to it and think "This is a cool story," and actually get a message too.

Do you have any plans to record or perform in English?
No. Right now we're sticking with Swedish but when we play live we try to incorporate some English. We have a couple of new songs that we sing a chorus in English. We do understand that it's not that common to go tour and play in the States if you don't sing in English.

What's your musical guilty pleasure?
I actually like the sound of a couple of Britney Spears songs and that's a big no no... especially the ones produced by Bloodshy & Avant, Swedish producer duo.

Beatles or Stones?
The Beatles.

Who was your first celeb crush?
I remember having a poster when I was really young of the girl from Wayne's World. I can't remember her name though…

Cassandra?
Yeah, exactly!

Sweden has a lengthy tradition of pumping out hot, catchy pop groups and rock stars. Who's next?
I'm really excited about a hip-hop band called Maskinen, which translates to The Machine. They sing in Swedish too and they make some kind of electro-based hip-hop. Robyn is coming out with a new album that's probably gonna be very huge. And the guy that came with us on the tour, Zacke just put out his record here in Sweden.

Before your appearance on The Colbert Report in July 2009, did you actually know who he was?
Yeah, I had watched quite a lot of The Daily Show and I knew about him. We had no idea that he was as big as he actually was. We thought that his show was really under the radar. We realized that it was kinda big for them to actually ask us but we thought it was some really underground show, way smaller than The Daily Show. It's kinda good that we actually thought that until we saw our show on TV 'cause I think we wouldn't have been able to play if we knew it was that big.

The Colbert ReportMon - Thurs 11:30pm / 10:30c
Movits! - Fel Del Av Garden
www.colbertnation.com
Colbert Report Full EpisodesPolitical HumorSkate Expectations

Have you heard about the phenomena called "The Colbert Bump" (an increase in popularity as a result of being a guest on the show)? Do you feel like you experienced this in the US since your TV performance?
We had an import record in the States and the day after we played on the show the record sale had gone up 85,000%. [Laughs] Yeah, it was like in place 90,000 the day before the show and the day after it was #72 on Amazon. And we went up to #2 on the iTunes hip-hop charts above Kanye and Eminem. We had heard about "The Colbert Bump" but this was more like The Colbert Earthquake.

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Read this article on Spinner.

meet the movits!

Movits! may reside in icy lands–Luleå, Sweden, just south of the Arctic Circle–but their apple stealing jazz is a fusion of swing and hip-hop that bursts with fiery energy, saxophone blasts, and frenetic pacing... all in unintelligible Swedish.

Brothers Johan and Anders Rensfeldt along with friend Joakim Nilsson were making acoustic hip-hop when the divine Benny Goodman blessed them with a new musical vision and sound that melded the drums and the beats of old swing music with Swedish spittin'. They asked, "Why isn't anybody who's doing hip-hop, doing this kind of hip-hop?"

Deciding it was time for a change, the trio absorbed themselves in recording a new noise with a dozen different musicians over the course of more than three years, finally releasing their first album under a new moniker in November 2008. Magically the Movits! were featured on The Colbert Report when Stephen Colbert discovered the video for their single "Fel Del Av Gården" on reddit.com. Zip, bang, boom, they were performing their Swedish hip-hop, swing blend on US national TV for an American audience.

The Colbert ReportMon - Thurs 11:30pm / 10:30c
Movits!
www.colbertnation.com
Colbert Report Full EpisodesPolitical HumorSkate Expectations

Contracts came from at home and abroad while their debut Äppelknyckarjazz (which translates to "Apple Stealing Jazz") reached #2 on the iTunes hip-hop charts and #18 overall, and the band finished their first, 15-date US tour in February just in time to jump back on a plane to hit five dates at this year's SXSW.

Even with all the international interest, the boys are sticking to their Swedish roots and have no plans to record in English. Without knowing their native tongue, you'd never know their lyrics tell stories centered on social matters while spreading a message, but you can still bop and rock if your linguistics are lacking because their swingin' beats move beyond borders.

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Read an interview with Movits! Joakim Nilsson on Spinner.